I know I did because I wrote this quotation: I don't think I have much to say that hasn't been said repeatedly below but yes, this is an excellent behind-the-scenes look at the craft of screenwriting and yes, it's kind of crazy how well it holds up 30 years after it was written. Even after almost 40 years, it still feels largely fresh, insightful, and smart. Please try again. There is no doubt that he is a great writer...as evident not only in the book he has written, yet also in the BUTCH CASSIDY AND THE SUNDANCE KID screenplay that comes with the book, as well as an excellent short story called "Da Vinci. A delightful hodgepodge of Hollywood miscellany from the famed screenwriter William Goldman, who wrote, A wonderfully humorous, oftentimes sad and elegiac account of show business through the eyes of one of its most renowned screenwriters. He has written a number of enduring classics, scripts that hold up even decades later. Prices are hidden. Screenwriter, novelist, playwright, non-fiction author. Goldman shows what it's like to conduct yourself with class and grace. While overall a great look into making movies and writing movies (which I’ve done as well, so I know a lot about what he says), he has occasional lapses that just aren’t accurate like assuming in 1982 people were sick of Star Wars and over it. You would have to, I mean really really really have to, just to put yourself through the torture of writing for them, because that's the message that comes out of this again and again - prepare to be shat on. As news broke that screenwriting legend William Goldman died on Friday in Manhattan, Hollywood figures, including prolific writers, took to social … Writing in the wake of the "Heaven's Gate" disaster which shook the confidence of almost everyone in Hollywood (1982), Goldman still manages to end the book on an upbeat and hopeful note. Doors and Drink from 18.30. William Goldman is a screenwriting legend, and for good reason. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Part of Behind the Screen. He tells some, he describes a lot. William Goldman's book on his life as a scriptwriter is both funny and a salutary lesson to all prospective writers. He gives his honest appraisal of his … But the absolutely invaluable portion of the book started at Chapter 18, in which he takes an old short story of his and goes through the steps of turning it into a screenplay, followed by incisive commentary by the best in the business: Tony Walton (design), Gordon Willis (cinematography), Dede Allen (film editing), Dave Grusin (music), and George Roy Hill (direction). This book is a classic on screenwriting which every screenwriter should read. More than anything. Anyone who has ambition to pursue a career in the movie industry (especially writers) should do themselves a favor and pick up this book. And it turns out he was mostly right about the future. ", Goldman grew up in a Jewish family in Highland Park, Illinois, a Chicago suburb, and obtained a BA degree at Oberlin College in 1952 and an MA degree at Columbia University in 1956.His brother was the late, “Writing is finally about one thing: going into a room alone and doing it. Our payment security system encrypts your information during transmission. Well, in this book Goldman also laments how the industry is going down the toilet, how they are making fewer and fewer. Despite being over 30 years old there are still relevant stories, tips and anecdotes in here for budding screenwriters and film fans alike. Reading them makes me feel like I'm watching the movie. It was insightful and told of a not unglamorous view of the perils of Hollywood, but more of a realistic take on the stars, directors, producers, and a vast number of technicians and artists that people the sets of the movies. 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